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From cobblestoned Portuguese alleys navigated one-handed with a stroller to reef dives in Fiji, this is where the trips live. Told through words and whatever camera happened to be with me.
I shoot film and digital and travel with family in tow. These posts are part travel journal, part photography log, and part love letter to the places that made an impression. I hope they make you want to go see them for yourself.
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Happy Accidents
Five hours into a backcountry hike north of Vancouver, standing in a crystal-clear glacial stream with camera in hand, I watched my beloved Olympus XA sink straight to the bottom. As it turned out, the water had its own ideas about how these photos should look and some of them are better for it.
The Moraine, British Columbia, Olympus XA, Agfa Vista Plus 200
“Oh Shit.” I exclaimed, for all the birds and squirrels to hear. There I was, standing over a stream of waist-deep, crystal-clear glacier water, watching my Olympus XA camera sink to the sandy bottom. It had taken around 5 hours for us to hike to this spot, a lesser known wilderness hut located a few hours north from Vancouver. I had taken about a half roll of photos along the way up with my favorite compact film powerhouse, the Olympus XA. The weather was warm, and felt doubly so with my backpack on, so stepping into the cool glacial stream right in front of the hut seemed like a great idea to help cool off. Better still that its backdrop seemed particularly photogenic, so why not keep the camera in hand and snap off one or two shots?
Splash, that’s why. I’ve no idea how I lost my grip, but I felt my stomach sink well before the camera hit the surface of the water. A steady stream of bubbles emitting from the body on the way down confirming that it was by no means waterproof. I lunged after it, fumbled a bit, and finally lifted it out of the stream. Now what? Was one of my favorite classic cameras now a desk ornament?
The Fateful Shot, Olympus XA, Agfa Vista Plus 200
Hoping to avert film camera water damage, I hustled back to the cabin, opened the battery hatch and immediately removed the cell within. I gently shook out the water, and used some of our packed toilet paper to soak up what I could. It was a sunny day, and I thought perhaps placing it by the window of the cabin in the sun might warm things up and allow the water to slowly evaporate. I pondered my error, and began to wonder; a. if it would ever work properly again, and b. what of the photos already within?
The Hut, Olympus XA, Agfa Vista Plus 200
The rest of the trip was incident free, but I didn’t take any photos on the way down for fear of doing more damage. When I got home, I rewound the film, left the camera with open back sitting in a bag of rice for a few days and decided to take the roll to my local lab to see what would develop. I warned the tech of my misadventure when I dropped it off and he said he’d try his best. So fingers crossed for a day or two and I’d see the result (or not).
Mountain ridges and glacial pools, Olympus XA, Agfa Vista Plus 200
To my delight a couple of days later I received my customary email notification that my roll had been developed and scanned with a .zip file of the images attached. I opened it and started peering through the images, curious with what I would find. As you can see in the images here it was a mixed bag with, I think, some delightful surprises. First of all, none of the images were utterly destroyed, a relief as I really had no idea what to expect so was leaning towards the worst. Second, the impact of the water varied a fair bit, from spots most easily noticed in the lighter parts of the images to ghostly silhouettes and ripples of lighter color. In the image immediately bellow, I quite like the “phantom mountain” the effect produces.
Phantom Mountain effect, Olympus XA, Agfa Vista Plus 200
Somewhere in the woods, Olympus XA, Agfa Vista Plus 200
If I wanted to do something more with these images, certainly some of them could be retouched to remove imperfections and artifacts. Bellow is a rather crude example to illustrate the point. (Re-touching is not really a skill in my toolbelt!) But in the case of this set, I think the blemishes and strange silhouettes simply help to tell the tale, and certainly instantly bring back fond memories of that weekend in the mountains.
Looking towards the hidden hut, Olympus XA, Agfa Vista Plus 200
Nearly there, Olympus XA, Agfa Vista Plus 200
Ultimately the Olympus survived without issue. An almost imperceptible bit of particulate made it’s way into the viewfinder, but I’ve shot loads of rolls since this and it functions exactly as it should. A happy accident indeed then, and a lesson too -there’s a wrist strap on the camera now. I hope you enjoy these quirky images as much as I enjoyed capturing/saving them!
The Road to Hana and beyond — narrow roads, raw coastline, and the question every traveler faces: turn back, or keep going?