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From cobblestoned Portuguese alleys navigated one-handed with a stroller to reef dives in Fiji, this is where the trips live. Told through words and whatever camera happened to be with me.
I shoot film and digital and travel with family in tow. These posts are part travel journal, part photography log, and part love letter to the places that made an impression. I hope they make you want to go see them for yourself.
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First Frames, Tokyo - Japan
Admittedly the first few days of this trip were spent shooting sparingly, driven by the neophyte’s underlying fear of depleting a limited film stockpile.
Streets of Shibuya, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400,
“I am in Japan”
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I remember thinking this as we rode the train from Narita Airport towards Tokyo. I’ve been fortunate to visit many countries over the years, but with Japan I felt an immediate wonder and giddiness I hadn’t felt before. Would it live up to the expectations of my eager imagination? Would this old film camera do it justice?
Urban Shibuya, Praktica LTL, 50mm Neyer-Optik Domiplan Lens, Kodak Portra 400.
Shibuya Streets, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
Live Small to Live Large
Our first stay in Japan was a tiny apartment in the quiet yet dense western part of Shibuya. There were seven of us friends travelling together and yet we fit quite cozily into the small but well laid-out space. We opted for apartments rather than hotels for the vast majority of our trip, in hopes of getting a more local feel and perspective for each destination. Mostly, our accommodations only acted as storage and a place to sleep. We’d set out on foot each day from dawn until well into the night to immerse ourselves in the city. Where to eat, drink and explore was decided largely on the fly, with some tips and recommendations safely archived in the backs of our minds, guiding the general flow of our wandering.
I clutched my camera eagerly as we stepped out of the door into the cool air of the morning. I hadn’t traveled with photography specifically in mind in quite some time, so I felt a mixture or trepidation and excitement about capturing what I saw, free from chimping, but fraught with other silly concerns instead. Should I shoot that? Did I remember to use the meter in that last shot? Wait, what aperture am I using? Focus!
Lovely place for a break; Little Nap Coffee Stand, Shibuya, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
Texture & Color, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
What catches my eye?
I used to seek to capture the grandiose, the iconic and the archetypal sites of the places I visit. After-all, when you get back home from a trip, are you not asked; “did you see “X” and, what did you think of the “Y”!!?” by your family and friends? On this trip to Japan, I’d try to un-tether myself from that. Sure, I’d be hunting down sakura, castles, kei cars and all the rest, but could I open my mind to notice more and capture more of my experience?
Admittedly the first few days of this trip were spent shooting sparingly, driven by the neophyte’s underlying fear of depleting a limited film stockpile. I later discovered that Tokyo, and most of Japan in general, is stocked to the gills with film at camera stores, drug stores and corner shops. Running out wouldn’t be a problem and in fact, next time I go, I’ll load up with rolls on arrival as Japan’s readily available selection of film is remarkable. To this day, I always seem to bring more rolls than I need, but have also become comfortable experimenting and taking more chances with what I try to photograph. If I were sponsored to shoot my travels I’d no doubt shoot with a higher frequency, but “spot, stop, snap, move-on” suited the flow of this trip just fine.
Tofu Delivery, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
Moment of Serenity in Yoyogi Park, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
““Should I shoot that? Did I remember to use the meter in that last shot? Wait, what aperture am I using? Focus! “”
On the hunt for Ramen, Vicky in foreground, pals in the back. Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
The ubiquitous masks, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
The Buns, choosing their ramen. Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
How’s “The Brick” Holding Up?
From a beginners perspective, the Practika LTL’s simplicity was a boon. Not too much to mess with; just line up the exposure needle using aperture/shutter speed (ensuring you’re holding down the metering lever), focus and click. Aside from forgetting one of the latter, the biggest challenge became apparent as night fell. There’s no illumination of the exposure needle, so if you’re shooting a dark scene it’s difficult to confirm your exposure. A trick I discovered was to quickly point the viewfinder towards the lightest point of the frame in hopes of seeing the needle contrast it for a moment. The needle moves reasonably slowly and that would give me a brief glimpse of how close I was within my composition. The rest is up to me to hold still, keeping in mind an ISO of 400 might necessitate using a lamppost or mailbox as an impromptu stabilizer. If I were flying back tomorrow, there’d definitely be some Cinestill 800T in my bag and perhaps my little Olympus XA loaded with Black & White to push.
Heading back to the apartment, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
Tokyo Nights, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
Look Up
So, what catches the eye in Tokyo? EVERYTHING. Especially if it’s your first visit. To me the architecture seems rooted in the 70’s and 80’s, with intense density, and I loved it. Buildings and people tightly packed without ever feeling cluttered. Trying to find a particular shop? Make sure you look up! In stark contrast to North American retail with its shops rooted to the ground level (malls aside), you might have different retailers on floors 1 through 10 of any building you walk past in the busier parts of town. In one case, I had to ride a nondescript elevator to the 8th floor of a church in Ginza, to get to one of Tokyo’s famous used camera stores, Lemonsha. I could have spent an entire day -and entire bank account- in that one shop easily.
Kappabashi, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
Kappabashi Tourists, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
Each sign on the stack may represent a different store, above and bellow street level. Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
So much to say
I didn’t originally photograph Tokyo with the intent to write about it. Heck, I wasn’t even sure if a single picture I took would turn out in my first film photography forray abroad. In retrospect, I could write essays about the place (many have), documenting the city neighborhood by neighborhood. I will return, shoot more, and tell more detailed stories one day. I spent most of this visit exploring and chatting with friends, delighting at new experiences, flavors and sights, and snapping the odd pic along the way. That approach, I think, made for the best “first date” with Tokyo of all. Not over analyzed, stylized nor dramatized. Just a few days to get to know each other. Besides, there was much more of Japan to see ahead. Follow me and I’ll show you!
Feels like a dream, Praktica LTL, 50mm Meyer-Optik Domiplan Lens, Kodak Portra 400.
The Road to Hana and beyond — narrow roads, raw coastline, and the question every traveler faces: turn back, or keep going?